
In listening to Vinnie's entire career output, I think it's striking how his guitar style morphed from "Treasure" and "Dan Hartman" to KISS and, finally, the Invasion. It's like Vinnie started in one place and completely ended up on another side of the world. In other words, put on "Double-O-Love" from Dan Hartman and then put on "Breakout" or "Euphoria" -- it would be hard to imagine it's the same lead guitarist on these tracks.
Some questions/topics I thought would be interesting for discussion:
- I remember recently reading/hearing that Vinnie could do amazing spot-on emulations of Jeff Beck. Has Vinnie ever cited a favorite Beck song or recording? His Dan Hartman solos are extremely Beck-ish.
- Vinnie once said that he wished he could devote more time to his classical playing. Do we know if he had a repertoire of classical pieces in his arsenal? And did he ever cite any classical guitarists as influences? (I'm not recalling offhand...)
- When did Vinnie "woodshed" his speedy technical side -- alternate picking, tapping, sweep picking, etc.? In other words, did he always have these techniques at his disposal, even in the late '70s? Or is it something he honed in on as he got the KISS gig and as the shred style was becoming en vogue? Truth be told, while some are naturals on guitar, it takes time to develop things like VV-fast alternate picking.
- His country-inspired pick-finger technique: Did he utilize this prior to KISS? I think the first recorded example of him playing a lick that uses this technique might be during the fade to "Saint And Sinner" (@ 4:43)?
- Speaking of country, do we think Vinnie had a bag of country-style licks and could play within that style comfortably? I would bet so...
- Even live in KISS, Vinnie seemed to hold back, compared to subsequent live recordings with the Invasion. What do you think it was that made him want to take his lead playing to such an eccentric level with the Invasion? Of course, we know the "'Lick It Up' was 25 percent of what I'm capable of" talk, but what was the spark that made Vinnie want to become an over the top speed demon?
- Chord melody: According to Adam Mitchell, Vinnie could play a version of "White Christmas" that would "break your heart." Also, if you listen to the Oakland recording of "Back On The Streets" from the ASG tour, Vinnie plays a beautiful chord melody-style introduction before going into the song. When did Vinnie develop this side of his playing? And I wonder if this side of his playing is something he has nurtured in later years?
- How long did Vinnie warm up for before gigs?
- His Invasion-era solos: Do you think Vinnie improvised these in the studio? Or did he work them out/map them out thematically beforehand? According to some of the people I've interviewed, Dana Strum was an integral part of the equation, in terms of knowing/suggesting when to punch Vinnie in and out.
Any general and/or additional thoughts/observations on the topic would be appreciated as well.