I also have a Sovereign Pro. This I think could be a very nice guitar whenever I get around to having the frets leveled so that I can get the action set to it's full potential and perhaps put a hotter pick up in the bridge position. It doesn't suck but the one that I have has never been worked on by my luthier to make it as good as it can be. This model is a neck through model and the neck has a reasonably nice shape and feel. The inlays are a cheap pearloid but they are smooth and don't feel bad.

I have 1 Apocalypse Special Custom and 1 Apocalypse Pro
These guitars are real easy on the eyes and the one on the left side of the picture below has an interesting history. At least to me
http://www.kamnguitars.com/
This guitar is heavy with all the glass mirror on it and it plays OK but is not my favorite but looks superb in person.
The Apocalypse on the right side is a standard higher end factory model and I like the way this guitar feels and plays. This guitar is much lighter because the Silvertone Factory installs plastic mirror on these models. The plastic mirror unfortunately wears however and over time develops blemishes and doesn't look near as good as the real glass mirror.

and 1 Monarch
This guitar was a limited production and I've read that only 3 or 400 were made if that is true. This model is a bolt on neck Les Paul variation guitar that evolved into the Washburn Preacher Guitar Paul Stanley played on his Live To Win Tour. I would normally turn my nose up at the thought of a bolt on neck Les Paul but this is a surprisingly good little and inexpensive guitar. Out of the box I fiddled with the action and was able to get the strings very low without any buzz so the frets were pretty level straight from the factory which is rare for an inexpensive guitar. I really like this guitar and think that it was a huge value for what I paid for it.
In general my experience with the Silvertone's have been mixed but I think that for those that are willing to put some work into them they can be real nice guitars for not a lot of money. The key thing to this is having a relationship with a luthier that you trust to work on your guitars without charging you an arm and a leg.
Kev



