New here...
Posted: Fri Apr 15, 2011 11:39 am
I won't be here too often but if you'd like to know more about me, visit the following sites:
http://www.thesevenate.com
http://www.thesevenate.bandcamp.com
http://www.eloha.bandcamp.com (my entire discography with lyrics and pictures, and stories and reviews... all for sale)
http://www.cyclonerecords.ca/artists/sevenate.htm
http://www.myspace.com/thesevenate
http://www.artistswithaddictions.org
http://www.youtube.com/user/elohalove
http://s759.photobucket.com/albums/xx23 ... 20Gallery/
I used to be a journalist for international hard rock magazines for 26 years. I interviewed many rock stars and went on tour with certain bands like Motley Crue, Bon Jovi, Metallica, and KISS of course!
I was, still am, a big Kiss fan though I don't collect anymore. I sold all my stuff years ago (platinum record for Alive 2, Paul's broken flying V from Wembley, London Oct. 14 or 16, 1984 (can't remember) every guitar pick from every member of Kiss ever, including Mark St John!, Eric Carr drum sticks, a million posters and magazine articles, bootlegs galore and a special collection of pictures without make-up when it was rare!)
The only thing I still collect are books. Lydia Criss's is great, Chris Lendt's book is great too, and all the others I could get my hands on. I am looking to re-acquire the two Japanese Music Life encyclopedias from 1977 and 1978. Contact me if you have these and any book about Kiss or the members or ex-members. I still have all my DVD bootlegs and all the interview cassettes from my interviews with Kiss over the years. Ironically, the only one I lost is the Vinnie Vincent interview from L.A. I lost it when I moved back to Canada from L.A. I think my ex-roommate stole it, along with a bunch of my cool pictures. That really hurt. Luckily I still have a lot of great pictures, check out a few on Photobucket (the last link I gave you...) I will post one of my great interviews with Paul Stanley on my next posting, just for you guys...
BTW: I want to say that in my opinion Vinnie Vincent was incredibly talented musically but he was clumsy at relationships. He had an ego that got in the way of his accomplishments. and a bit of paranoia... He thought people were out to get him and was overly defensive. He helped make Kiss relevant to the followers of the new heavy metal scene by adding a more modern style of lead guitar which was the norm at the time. He also helped the two main songwriters of Kiss get out of a rut they were in. Both of them had reached a sort of plateau and were stuck repeating themselves, which is why they were looking for input from outside songwriters at the time. Vinnie came in and litterally lit a fire under their asses with his hot ideas and style. The problem is they had big egos of their own and even if these were undeniable facts, Paul & Gene were notready to hear this out loud. Their egos were to sensitive. At the same time, Vinnie's own ego was also oversized and he was asking for an equal share of a pie that came from a decade of MASSIVE success by a band that was legendary. He should have had more respect for this legacy, and should have remained more humble. He could have used a bit of diplomacy and understood that you don't come out and tell two superstars that you saved their band and ask for an equal amount of money when you've only just started, was basically a nobody a year ago and now you should have the same power as two guys who built an empire. He was lucky to be in such a band and he should have realized so.
After Kiss, Vinnie proved how truly talented he was and how far he wanted to take this. His 2 Invasion albums were awesome but he went so fast. He was so terribly hungry for fame and recognition that he moved too quick. He should have taken the time to grow the band organically until they were a tight unit. Instead he went and recorded with Fleishman, then found his singer in Slaughter but they were never a band, just a backup for Vinnie's ego. Again he should have realized that he can't do it all alone and he should have listened to his bandmates and valued their input, their talent and their relationships. His band was great because of the sum of the parts he had. He can't sing like Slaughter, or play drums, etc... It's a group thing. You all depend on each other in a band, and even though it is sometimes difficult because everyone has faults and shortcomings, quirky personalities. You have to accept this and learn to love & respect each other with all these quirks. Vinnie was demanding, impatient, and ungrateful for all he was given: Of course Karma dictates that it had to be taken away from him. Gratefulness... Important stuff... Vinnie in the end is an artist who had some hard lessons to learn, but he was also incredibly gifted with an awesome sense of melody, hooks and songwriting, as well as an awesome talent on guitar: A true virtuoso. A lot of true virtuosos are difficult personalities, it's just a fact of life...
Cheers!
Eloha
http://www.thesevenate.com
http://www.thesevenate.bandcamp.com
http://www.eloha.bandcamp.com (my entire discography with lyrics and pictures, and stories and reviews... all for sale)
http://www.cyclonerecords.ca/artists/sevenate.htm
http://www.myspace.com/thesevenate
http://www.artistswithaddictions.org
http://www.youtube.com/user/elohalove
http://s759.photobucket.com/albums/xx23 ... 20Gallery/
I used to be a journalist for international hard rock magazines for 26 years. I interviewed many rock stars and went on tour with certain bands like Motley Crue, Bon Jovi, Metallica, and KISS of course!
I was, still am, a big Kiss fan though I don't collect anymore. I sold all my stuff years ago (platinum record for Alive 2, Paul's broken flying V from Wembley, London Oct. 14 or 16, 1984 (can't remember) every guitar pick from every member of Kiss ever, including Mark St John!, Eric Carr drum sticks, a million posters and magazine articles, bootlegs galore and a special collection of pictures without make-up when it was rare!)
The only thing I still collect are books. Lydia Criss's is great, Chris Lendt's book is great too, and all the others I could get my hands on. I am looking to re-acquire the two Japanese Music Life encyclopedias from 1977 and 1978. Contact me if you have these and any book about Kiss or the members or ex-members. I still have all my DVD bootlegs and all the interview cassettes from my interviews with Kiss over the years. Ironically, the only one I lost is the Vinnie Vincent interview from L.A. I lost it when I moved back to Canada from L.A. I think my ex-roommate stole it, along with a bunch of my cool pictures. That really hurt. Luckily I still have a lot of great pictures, check out a few on Photobucket (the last link I gave you...) I will post one of my great interviews with Paul Stanley on my next posting, just for you guys...
BTW: I want to say that in my opinion Vinnie Vincent was incredibly talented musically but he was clumsy at relationships. He had an ego that got in the way of his accomplishments. and a bit of paranoia... He thought people were out to get him and was overly defensive. He helped make Kiss relevant to the followers of the new heavy metal scene by adding a more modern style of lead guitar which was the norm at the time. He also helped the two main songwriters of Kiss get out of a rut they were in. Both of them had reached a sort of plateau and were stuck repeating themselves, which is why they were looking for input from outside songwriters at the time. Vinnie came in and litterally lit a fire under their asses with his hot ideas and style. The problem is they had big egos of their own and even if these were undeniable facts, Paul & Gene were notready to hear this out loud. Their egos were to sensitive. At the same time, Vinnie's own ego was also oversized and he was asking for an equal share of a pie that came from a decade of MASSIVE success by a band that was legendary. He should have had more respect for this legacy, and should have remained more humble. He could have used a bit of diplomacy and understood that you don't come out and tell two superstars that you saved their band and ask for an equal amount of money when you've only just started, was basically a nobody a year ago and now you should have the same power as two guys who built an empire. He was lucky to be in such a band and he should have realized so.
After Kiss, Vinnie proved how truly talented he was and how far he wanted to take this. His 2 Invasion albums were awesome but he went so fast. He was so terribly hungry for fame and recognition that he moved too quick. He should have taken the time to grow the band organically until they were a tight unit. Instead he went and recorded with Fleishman, then found his singer in Slaughter but they were never a band, just a backup for Vinnie's ego. Again he should have realized that he can't do it all alone and he should have listened to his bandmates and valued their input, their talent and their relationships. His band was great because of the sum of the parts he had. He can't sing like Slaughter, or play drums, etc... It's a group thing. You all depend on each other in a band, and even though it is sometimes difficult because everyone has faults and shortcomings, quirky personalities. You have to accept this and learn to love & respect each other with all these quirks. Vinnie was demanding, impatient, and ungrateful for all he was given: Of course Karma dictates that it had to be taken away from him. Gratefulness... Important stuff... Vinnie in the end is an artist who had some hard lessons to learn, but he was also incredibly gifted with an awesome sense of melody, hooks and songwriting, as well as an awesome talent on guitar: A true virtuoso. A lot of true virtuosos are difficult personalities, it's just a fact of life...
Cheers!
Eloha
