That really is a great photo of the first VVV. The most detail I've ever seen of it. It looks kind of plain/empty without his right hand covering it in a playing position! The second pickup really filled the space out. And Rick you're right, TJ could get a very accurate measurement off this photo. The guitar is nearly dead straight on in the pic.
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
you're welcome
my daughter Luxx gave me permission to post these pictures here,I think she scanned those photos from magazines. whatever,later I will post more of these picts
Has anyone else noticed on Vinnie's Floyd Rose that besides the two pivot points that fulcrum the whammy bar, there are six holes in it as if it was once attached to a guitar body like an older Stratocaster bridge would've been ? COOL !!! I never noticed that before.
The bridge saddles are also not square and flat like in most Floyds. They seem to retain the shape that we all know yet have a Strat-like bump that the string rests over .
poserboy71 wrote:Has anyone else noticed on Vinnie's Floyd Rose that besides the two pivot points that fulcrum the whammy bar, there are six holes in it as if it was once attached to a guitar body like an older Stratocaster bridge would've been ? COOL !!! I never noticed that before.
The bridge saddles are also not square and flat like in most Floyds. They seem to retain the shape that we all know yet have a Strat-like bump that the string rests over .
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
I knew that Floyd's never screwed into the body like a Strat trem would - YES, Shramiac is correct. I just don't remember those holes going to the edge of the metal like that.I have taken aprt Floyds many times and used those holes a lot. I'm a dipshit. I will look at all of my Floyds when I get home and check that out.
Talk about something that has been under my nose for decades annd it never caught my eye .
THINK: Porter Wagoner
I am the Undisputed Sex Symbolof theVVFF NEWBEGINNINGS
Ah..........................no, I've got too much class to touch the obvious joke there!
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
I was wondering what holes you were talking about Rick, I couldn't work it out, but shramiac understood.
They are just some of the intonation holes as he said, they are in the Floyd itself, not the body of the guitar, which would indicate a Floyd conversion.
Being the guitars they are, these would all have been built for Floyds, not converted after.
They do stand out on that last pic especially, being a chrome floyd and all the holes being visible like that.
I understand that there were no holes in the body.I wasn't saying anything was converted. I was just wondering about the origin of the Floyd itself. I own a non fine tuning Floyd from the mid eighties and I don't recall the extra holes. The visible holes on the Floyd Threw me of for a second .
THINK: Porter Wagoner
I am the Undisputed Sex Symbolof theVVFF NEWBEGINNINGS
Note the nuts for the intonation bolts at the back of the bridge plate on the proto and on the close-up photo of Vinnie (where he's hugging it)! The "newer" one has the back of the bridge plate threaded for the intonation bolts!
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
Both types of bridge fit together in exactly the same way. The intonation is set by positioning the saddle in the desired position ane tightening it down using a small Allen bolt which goes through one of a choice of three threaded holes near the neckmost edge of the bridge plate. The longer bolts which go into the rear of the saddle are simply for tightening the saddle insert to clamp the string end. On the older bridges, these also had a nut fitted which was useful when adjusting intonation, as it stopped the saddle sliding forward but once the saddle is clamped down, the nut is redundant. I have two of the Japanese made Floyd Rose branded bridges, same as Vinnie's, plus an earlier non branded one, which looks the same but in fact all dimensions are slightly different (including the fulcrum post spacing). I also have some of the Getman made non tuning units. Contrary to what is usually claimed, the German ones were not a predecessor of the fine tuner bridges, they were made at the same time as a cheaper OEM fitting for the cheaper Kramers. The ones Vinnie has were Japanese, made by Fernandes.
D'oh! I meant the string clamp bolts not "intonation bolts"! See Poser, why I didn't hassle you for your dipshittedness? Because it always comes back to bite you when you pay out on someone else!!
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
News to me. Very interesting. Are you saying vinnie's Floyd came off a Fernandes? My impression was Grover got it from Floyd himself. So you think vv's Floyd is not the Kramer type? Wish Vinnie did tech questions. I am not sure why he doesn't truthfuly. If the tremendous was made by Fernandes .. what model would it have been standards on I liked the Fernandes guitars I played in the 80s.
VV had, if I remember rightly, one of the Kramer bridges on a Double V (maybe the Carvin or Washburn) but the Jacksons all had the earlier model from the early production runs pre Kramer getting involved. From what I can tell the metal used seems to be the same on the Fernandes (it's the FRT3 model) and the German/Schaller ones however the chrome seems thicker on the FRT3 and it also has a bigger block. The chrome FRT3 I have has got the bolted on, non removable arm, whereas the black one on my Rhoads has the little collar which the arm screws into, same as the German units. Re giving them away to Vinnie, quite honestly I think you'd get no thanks and you'd be better off selling them on eBay and pocketing the cash!
well send him it. he has a po box that is free info on the internet if you look up who owns vinnievincent.com vinnievincentguitar1.com vinnievincentonline.com etc..
ed roman searches those non fine tuning trems out for brad gillis. Gillis has over 20 of them with most coming from ed roman. if ed finds one it goes straight to brad.
I realize why I never noticed the holes that far up on the Floyd. Most of my Floyds have the saddles up near the edge and ALSO the guitars themselves are mostly dark colors.
Plus I rarely look at my guitars straight on as I play them.
Funny how I got so confused by that picture when it's a basic Floyd.
I would love to see the ORIGINAL Floyds that Mr. Floyd Rose machined in his garage.
THINK: Porter Wagoner
I am the Undisputed Sex Symbolof theVVFF NEWBEGINNINGS
I can't see the whole photo on any of these anymore? Is that a problem at my end?
Promises made, crying in vain, all empty. Never accepting the blame and not letting go of the shame. A river of tears, as months turn to years, all wasted. On someone not willing to change.Now only a shadow remains!
Me too...tried several browsers & different resolution. Similar problem every time.
I got Jesus in my fax machine. I saw Ho Chi Minh down @ Burger King. I dated Vinnie Vincent as a Drag Queen. I still don't understand a f**kin' thing. I have come here to chew bubble gum and kick ass and I'm all out of bubble gum.